Monday 13 March 2017

m a k i n g a r t w i t h y o u r b o d y


Great to see the guys over at 12ø collective are doing 30/30 again! It's a really great way of expanding ones practice and doing some real experimentation. If you want to take part head over >>>here<<< you won’t regret it!

Yesterday was also the final day of the performative exhibition at Chisenhale Gallery so we went to see it. It’s by Alex Baczynski-Jenkins and he was the choreographer of the whole work. The set up is pretty minimal, its focal point an octagonal four-tiered stage whose platforms are reconfigured over the course of the exhibition. There were these red, industrial-looking, electric heaters in the walls, and folded packing blankets for both both props and seating. The lighting was also very apparent in the space, very blunt and artificial lighting and this intense soundtrack of looping rhythmic samples and continuous low drones. Every aspect of the atmosphere was manipulated to create as much tension as possible.


The movements themselves are very intimate, habitual gestures such as fingers delicately stroking a face or absentmindedly tapping a surface. Spoken word recurs in the form of poems and short exchanges, the repetition of lines and gestures building a sense of continual rehearsal. A lovely realisation for us was when the body changed from being a person to being a material; as they move on and off the stage, the performers determine how viewers negotiate the gallery space. Moments of direct address ensue when performers come right up close to the audience or hold the viewer’s gaze in tacit exchange. The way basic theatrical devices were used was another thing we noticed; they created were performing a kind of social choreography in which an experience of estrangement materialises through these bizarre interactions.